This wax replica of the body of a dead girl can be found at the Specola Museum in Florence. (from "LaRocaille")
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At that time, telescopes were not so difficult to make and everyone could see these marvels with his or her eyes, or refuse to do so, if so inclined. Discovering that the Earth was not the center of the universe was a shock: it was both wonderful and terrible.
But those times were not just those of progress in astronomy. It was also a time when the human body was explored. Dissecting cadavers brought a continuous wonder and an endless stream of discoveries. It was the discovery of the reason of our own mortality, of the way the human body would function and degrade. It was a revolution.
But cutting up dead bodies was not for everyone, everyday. So, in a time when photography didn't exist, a complete technology for taking molds of dead bodies was developed, building it on the "lost wax" techniques that had been created to make statuary during the Renaissance. Seeing these finely reproduced, dissected dead bodies, in full size and in color, must have been wonderful and terrible at the same time.
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But, unlike for astronomy and medicine, we have no simple images that can carry the meaning of the incredible complexity of the ecosystem. The data and the discoveries that are creating this revolution are hidden beyond paywalls and made mysterious by the arcane language used by scientists. We have only a name, "Gaia," as a term that describes in a single world the whole meaning of a scientific revolution. But you would search in vain in the Web for some image that could convey the true meaning of the term. How do you represent a whole planet, a whole ecosystem, as something that you can grasp at a glance?
In the end, the best that I could find is a cartoon that shows Gaia in her double role of mother and death giver; funny and cruel at the same time, indeed wonderful and terrible, just as everything in our universe.
BY HUMON @ DEVIANTART